The Irish Commercial Court has ordered nine ISPs to block three websites offering illegal downloading or streaming of copyrighted movies and TV shows. The action was brought by Motion Pictures Association, representing six film and TV studios. The Court held that it was clear there had been infringement of copyright, that it would not result in the lawful use of the internet being interfered with and the order was proportionate to the damage being caused. None of the ISPs opposed the application for the injunction. However one ISP raised concerns about cost implications of dealing with a large number of sites into the future, and asked the court to put a cap on the number of illegal website notifications a month, which movie companies could direct ISPs to block. The Judge refused to grant a cap on notifications. Continue Reading Court orders ISPs to block illegal streaming websites
The CJEU has once again been asked to consider the meaning of “communication to the public” within Article 3(1) of the Copyright Directive.
In Stichting Brein v Ziggo BV, XS4ALL Internet BV (Case C‑610/15), the CJEU has been asked to identify the scope of liability for copyright infringement committed by ‘card providers,’ namely sites such as The Pirate Bay, where files containing music and films are shared free of charge, and usually in breach of copyright.
On 8 February, 2017, the Attorney General (AG) delivered an Opinion advising the CJEU to find copyright infringement where a website (such as The Pirate Bay) indexes content available on peer-to-peer (P2P) networks, even where there is no actual content on the website. However the AG found copyright infringement will only occur where the website operator has actual knowledge of the illegality and takes no action. Accordingly, if copyright holders notify a site’s operators of the illegal nature of information appearing on the site, and they fail to take action to make access to that work impossible, then the site operator may be held liable.
EU consumers of online content services such as Netflix, Spotify or Sky Sports will soon be able to access their subscriptions while on holiday in or when otherwise visiting another Member State, due to the lifting of existing restrictions by a proposed new EU Regulation.
Under the Copyright Directive (2001/29/EC) the owner of copyright material has the exclusive right to control any "communications to the public" of their protected works.
In an advisory opinion to the Court of Justice of the European Union ("CJEU"), Attorney General Wathelet (the "AG"), recently considered whether the act of posting a hyperlink directing users to infringing content on a third party website would give rise to copyright infringement.
A Californian Judge, Gail J Standish, recently dismissed a copyright lawsuit where it was alleged that Taylor Swift had copied lyrics for her popular song "Shake It Off". Taylor Swift is in fact an avid fan of enforcing her own copyright, was facing a $42 million damages claim. Jesse Graham filed the lawsuit claiming that Taylor Swift had stolen the lyrics "haters gonna hate" from a song he wrote in 2013 following a refusal of an original writing credit and a selfie with the star. The Court ruled that the plaintiff did not provide enough factual evidence and that the allegations were not more than speculative. In defending the claim there was evidence to show that the phrases "haters gonna hate" and "players gonna play" were long in existence before being used by Jessie Graham. The plaintiff had also admitted that the songs were in no way similar. The ruling itself quotes from numerous Taylor Swift songs noting that "at least for the moment, the Defendants have shaken off this lawsuit."
The US Court of Appeals (the Court) recently gave judgment on whether a type of yoga would fall within the remit of copyright in the case of Bikram Yoga College of India v. Evolution Yoga, LLC, 2015 WL 5845415. The case concerned Bikram yoga – a popular style of yoga developed by Bikram Choudry (the plaintiff in the present case) over 20 years ago which consists of 26 postures and 2 breathing exercise, designed to systematically work every part of the body, and is performed in a hot room.
A French Supreme Court (the Cour de Cassation) has recently overturned a decision of the Paris Court of Appeal which had given a 2013 ruling in a copyright infringement case. The case involves the famous Longchamp "pilage" bag which, according to Longchamp, is the most copied bag in the world. The Cour de Cassation found that the Court of Appeal was in violation of the French Intellectual Property Code (Article L. 122-4) which deems it illegal to reproduce fully or partially a protected work without the authorisation of the right holder.
A French Supreme Court (the Cour de Cassation) has recently overturned a decision of the Paris Court of Appeal which had given a 2013 ruling in a copyright infringement case. The case involves the famous Longchamp "pilage" bag which, according to Longchamp, is the most copied bag in the world. The Cour de Cassation found that the Court of Appeal was in violation of the French Intellectual Property Code (Article L. 122-4) which deems it illegal to reproduce fully or partially a protected work without the authorisation of the right holder. The supreme courts (Cour de Cassation and Conseil d’État) acts as a cassation jurisdiction, giving them supreme jurisdiction in quashing the judgments of inferior courts where those courts misapplied law. Generally, cassation is not based on outright violations of law, but on differing interpretations of law between the courts.
Augmented Reality (AR) uses technology to overlay real world, physical environments with virtual components like light, sound, video, images or GPS data. Once seen as a futuristic and ‘gimmicky’ area, AR is growing at a rapid pace and will soon form part of our everyday technology. Microsoft recently unveiled its AR wearable technology, ‘Hololens’ which is geared towards gaming and design and comes in the form of a headset.
One of the world’s largest agricultural machinery makers has stated that farmers do not acquire ownership rights in software embedded in their tractors. Instead, they receive an express or implied licence to use the software needed to operate the vehicle.